The American Dream


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Discuss the following passage, exploring Shakespeare's use of language and its dramatic effects.

[Enter PROSPERO and MIRANDA] Miranda .  If by your art, my dearest father, you have  85 Put the wild waters in this roar, allay them. The sky, it seems, would pour down stinking pitch, But that the sea, mounting to the welkin's cheek, Dashes the fire out. O, I have suffered With those that I saw suffer: a brave vessel,  90 Who had, no doubt, some noble creature in her, Dash'd all to pieces. O, the cry did knock Against my very heart. Poor souls, they perish'd. Had I been any god of power, I would Have sunk the sea within the earth or ere  95 It should the good ship so have swallow'd and The fraughting souls within her. Prospero .  Be collected: No more amazement: tell your piteous heart There's no harm done. 100 Miranda .  O, woe the day! Starting with this conversation, discuss how far Shakespeare presents Miranda as loving and compassionate.  Shakespeare's presentation of Miranda ranges from the surface portrayal which shows her as ...
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BIBLIOGRAPHY ACO,THB

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Year 12 Initial Bibliography: A Clockwork Orange Help With Harvard Referencing: http://libguides.jcu.edu.au/content.php?pid=82408&sid=774832#2498517 Books Burgess, A., 2000, A Clockwork Orange , London: Penguin Morrison, B., 1996, Introduction in Burgess, A., 2000, A Clockwork Orange , London: Penguin ·          Leavis, F.R, 2008, The Great Tradition, Faber and Faber, London   ·          Burgess, A., 2002, You’ve Had Your Time , Vintage, London ·          Burgess, A., 1980, 1985 , Arrow, New York ·          Burgess, A., 2002, Little Wilson and Big God , Vintage, London ·          Burgess, A., 1978, The Clockwork Testament , Penguin, London   Television Programmes Strange Days , 2013, television programme, BBC, London, November 2013 Ne...
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